Enter the
Cubicle
The office cubicle
provides a compromise between the open plan and
the private room. It is not a perfect solution,
as it fails to some extent on acoustic dampening
and security, but it does offer visual privacy
and delineates personal space.
The cubicle has probably been made most famous
by the Dilbert cartoon series, created by Scott
Adams, which all cubicle or “pod” dwellers can
relate to. Speaking his mind through his
character Dilbert, Adams offered not only
sarcastic criticisms of the cubicle, but new
insights and ideas as well. In 2001 he teamed up
with IDEO, a San Francisco design company, to
create the perfect cubicle. The resulting
cubicle featured comical aspects, to be sure,
but also some sound ideas. A couple of examples
include an original modular arrangement and
attention to details before overlooked, such as
the change in the angle of lighting as the day
advances.
Writer Douglas Coupland coined the phrase
"veal-fattening pen" in reference to the cubicle
in his novel Generation X: Tales for an
Accelerated Culture.
Between 2000 and 2002, IBM and Steelcase®, the
office furniture manufacturer, partnered to
conduct thorough research on the software,
hardware, and ergonomics of the cubicle of the
future under the name "BlueSpace." They created
several prototypes of their hi-tech,
multi-screened work space which contained
movable, multiple screens inside and outside, a
projection system, and individual lighting,
heating, and ventilation controls, along with
software applications to orchestrate everything.
One of these was exhibited at Walt Disney World.
In 1994, designer Douglas Ball designed and
built several "Clipper" or "CS-1" capsule-shaped
desks that looked like the front fuselage of a
fighter plane. This streamlined computer
workstation had louvers, an integrated
ventilation system, and advanced ergonomic
features. An office space filled with these
capsules would look like a hangar of small
flight simulators. The Design Museum in the
United Kingdom now houses these workstations
among its permanent collections.
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